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當(dāng)前位置: 首頁(yè)出版圖書(shū)文學(xué)藝術(shù)文學(xué)文學(xué)理論寫(xiě)作就是施咒:伊什梅爾·里德后現(xiàn)代小說(shuō)戲仿藝術(shù)

寫(xiě)作就是施咒:伊什梅爾·里德后現(xiàn)代小說(shuō)戲仿藝術(shù)

寫(xiě)作就是施咒:伊什梅爾·里德后現(xiàn)代小說(shuō)戲仿藝術(shù)

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作 者: 林元富 著
出版社: 廈門(mén)大學(xué)出版社
叢編項(xiàng): 美國(guó)后現(xiàn)代小說(shuō)論叢
標(biāo) 簽: 文學(xué)理論

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ISBN: 9787561531310 出版時(shí)間: 2008-11-01 包裝: 平裝
開(kāi)本: 大32開(kāi) 頁(yè)數(shù): 244 字?jǐn)?shù):  

內(nèi)容簡(jiǎn)介

  這部專(zhuān)著是林元富同志根據(jù)他的博士學(xué)位論文《論伊什梅爾·里德后現(xiàn)代小說(shuō)戲仿藝術(shù)》修訂而成的。它是我國(guó)第一部系統(tǒng)研究美國(guó)黑人作家伊什梅爾·里德的專(zhuān)著,具有較高的學(xué)術(shù)價(jià)值和現(xiàn)實(shí)意義。它有力地填補(bǔ)了我國(guó)學(xué)界里德研究的空白。

作者簡(jiǎn)介

  林元富(1963.11-),男,漢族,福建泉州泉港人。1985年畢業(yè)于福建師范大學(xué)外語(yǔ)系,獲學(xué)士學(xué)位,2001年獲碩士學(xué)位;2008年獲廈門(mén)大學(xué)外文學(xué)院英語(yǔ)語(yǔ)言文學(xué)專(zhuān)業(yè)博士學(xué)位?,F(xiàn)為福建師范大學(xué)外國(guó)語(yǔ)學(xué)院副教授、碩士生導(dǎo)師、英語(yǔ)系主任,擔(dān)任本科與碩士研究生的《英美文學(xué)》課程教學(xué)。主要研究方向?yàn)槊绹?guó)后現(xiàn)代主義小說(shuō)、黑人小說(shuō)和當(dāng)代英美文論,獨(dú)立完成或參與多項(xiàng)省級(jí)社科項(xiàng)目。2001年以來(lái)已在《外國(guó)文學(xué)》、《外國(guó)文學(xué)研究》等核心刊物上發(fā)表論文10余篇。社會(huì)兼職:福建省外文學(xué)會(huì)副秘書(shū)長(zhǎng)、《外國(guó)文學(xué)研究》理事。

圖書(shū)目錄


List of Abbreviations
Introduction
 A. Ishmael Reed and the Literary Tokenism
 B. Ishmael Reed and His Works
 C. Ishmael Reed and His Critics
 D. Reed Study in China and the Framework of the Present Study
Chapter 1 Satire's Edge: Ishmael Reed and the Postmodernist Parody
 A. Postmodernist Parody as Pastiehe--Reedian parody in Fredrie Jameson's Model
  1. Pastiche, Schizophrenia and the Loss of Historicity
  2. Simulacra, Historical Fiction and Crisis in Historicity
  3. Reification, Bricolage, and the Random Play of Signifiers
  4. Pastiche and Textual Play in Ishmael Reed's Fiction
 B. Postmodernist Parody as "Double-Coded" Paradoxm
  Reedian Parody in Linda Hutcheon's Model 
  1. A Poetics of Paradox and the Representation of History
  2. Historiographic Metafiction and the Problematization of History
  3. Postmodernist Parody and Its Double-Coded Politics
  4. Parody and Cultural Critique in Ishmael Reed's Fiction
 C. Towards a Pluralizing Interpretation of Postm0dernist Parody
Chapter 2 The Black Cowboy in the Marlboro World: Ishmael Reed's Parody of the American Western
 A. Generic Conventions of the American Western
 B. Parodic Transgressions in Yellow Back Radio Broke-Down
  1. Narrative Innovation and Cultural Rewriting
  2. The Apocryphal History and the Triumph of Voodoo
Chapter 3 The Voodoo Houngan on the Case:Ishmael Reed's Parody of the Detective Fiction
A. Detective Fiction and Its Generic Conventions
B. Detective Fiction and the Postmodernist Proliferation of the Anti-Detective Fiction
C. Detective Fiction and Its Revision by the African American Novelists
D. Mumbo Jumbo as a Text of Black Anti-Detective Fiction
1. The Elusive Mystery, the Missing Text and the Cuhural Connotation of the Crime
2. The HooDoo Trickster Detective Persona and His Metaphysical Detection of History
3. The "Amphibious" Text and the "Game" of Decoding
Chapter 4 The Black Raven in the South: Ishmael Reed's Revision of the Slave Narrative
A. The Slave Narrative and Its Paradigmatic Gestures
B. The Slave Narrative and Its Contemporary Revision the Neo-Slave Narrative
C. Flight to Canada and Its Revision of the Slave Narrative
1. Parodic Revision and Reed's Rewriting of Antebellum History
2. Character Reversal and Reed's Reexamination of the Dynamics of Slavery and Freedom
……
Chapter 5 The Black Junior Professor Amidst the Cultural Wars:Ishmael Reed's Parody of the Academic Fiction
Conclusion
Works Cited
伊什梅爾·里德生平大事記
后記

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