序 和而不同與文化自信 ——評(píng)顧群業(yè)平面設(shè)計(jì)作品《叩》 《化石》終將“化石” ——觀顧群業(yè)觀念作品《化石》有感 “數(shù)字”的烙印 ——觀顧群業(yè)藝術(shù)作品所感 快樂(lè)地游藝于數(shù)字藝術(shù) ——小記顧群業(yè) 程序與詩(shī)歌 ——訪山東工藝美院青年教師顧群業(yè) 穿越時(shí)空的思考 ——美國(guó)Stash雜志訪顧群業(yè) 對(duì)藝術(shù)“神化”的反思 ——世藝網(wǎng)專(zhuān)訪顧群業(yè) 顧群業(yè)作品 后記 Preface “Harmonization and Difference” together with “Cultural Confidence” —Comment on the Graphic Design Work of Knock by Gu Qunye Fossil Would Eventually Be “Fossilized” —Opinions about Gu Qunye’s Conceptual Work Fossil Imprint of Digital — Learning from Gu Qunye’s Works of Art Playing with Digital Art Happily —on Gu Qunye Program and Poetry —Interview with Gu Qunye, Young Teacher of Shandong College of Art and Design Reflections through Time and Space —American Magazine Stash’s Interview with Gu Qunye The Reflections on the artistic Apotheosis —an interview with Gu Qunye by Century Online China Art Networks(COCAN) Gu Qunye's Works