AbstraCt 內(nèi)容提要 Chapter One Introduction 1．1 Motivation ofthe study 1．2 Basic tenets ofthe study 1．3 Necessity and significance ofthe study 1．4 Objectives．methods and data ofthe study 1．5 Organization ofthe study Chapter Two Style and Stylistics：A Literature Review 2．1 Style revisited 2．2 Style oflanguage 2．3 Objects ofstyle analysis 2．3．1 Style as attention to speech 2．3．2 Style as choice of audience 2．3．3 Style as speaker’S choice 2．3．4 Research of critical stylistics 2．4 The concept of style 2．4．1 Style in traditional stylistics 2．4．2 Style in functional linguistics 2．4．2．1 Jakobson：formal or functional? 2．4．2．2 Halliday’S model offunctional stylistics 2．4．3 Style in critical linguistics 2．4．3．1 The concept of critical linguistics 2．4．3．2 Language．ideology and power 2．5 Summary Chapter Three From Stylistics to Critical Stylistics 3．1 The development of stylistics 3．1．1 Stylistics in western countries 3．1．2 Stylistics in China 3．2 Stylistic5 and critical linguistics 3．2．1 Stylistics：literary study? 3．2．2 Stylistics：language analysis 3．2．3 Critical linguistics：ideology analysis 3．3 Critical stylistics 3．3．1 A definition 3．3．2 Some basic concepts 3．3．2．1 Critical 3．3．2．2 Discourse 3．3．2．3 Context 3．4 Sum Chapter Four Theoretical Framework and Methodology of Critical styIistics 4．1 Th已Dretical position and methodological objective 4．2 0p已ration and analysis 4．3 Methodology ofcritical stylistics 4．3．1 Social analysis 4．3．2 Anthropological analysis 4．3．3 Linguistic analysis 4．3．4 A framework of critical stylistics 4．4 Summary Chapter Five A Linguistic Approach of Critical S圳stics 5．1 Transitivity 5．1．1 Transitivity in traditional grammar 5．1．2 Transitivity in functional grammar‘ 5．1．3 Simpson’s simplified model 5．1．4 Transitivity in critical stylistics 5．1．5 Patterns of transitivity in critical stylistics 5．1．6 Case study of transitivity patterns 5．1．6．1 Actor shifter 5．1．6．2 Actor eraser 5．1．6．3 Process connector 5．1．6．4 Actor selection 5．2 Presentation of speech 5．2．1 Presentation form 5．2．2 Patterns of presentation forms in critical stylistics 5．2．3 A case study of the patterns 5．2．4 Presentation source and presentation verb 5．3 Modality 5．3．1 The concept of modality 5．3．2 Types of modality 5．3．3 A simple but practical initiative on modality analysis 5．3．4 A case study of mining pattern Chapter Six A Social Approach of Critical Stylistics 6．1 Socialfactors that influence critical stylistics 6．1．1 Ethnic and National Origin（ENO） 6．1．2 Geographical identity 6．1．3 Social stratification identity 6．2 Qualitative method to study the socialfactors 6．2．1 Qualitative VS．quantitative 6．2．2 A model for social factors study 6．3 A case study on砌已influence ofethnic and national identity Chapter Seven An Anthropological Approach of Critical Stylistics 7．1 Anthropologicalfactors that influence news styles 7．1．1 Physical identity 7．1．2 Psychological identity 7．2 Anthropologicalfactors study in critical stylistics 7．3 Case study with social and anthropological analysis together 7．3．1 Data collection 7．3．2 Qualitative analysis on important information 7．3．3 Validation of the analysis results Chapter Eight Conclusion 8．1 Summary 8．2 Limitation of present study and suggestions for future linguistic research Bibliography。 Appendix I：Sample texts of transitivity analysis（section 51） 1．Iraqi party demands death penaltyfo，’Saddam 2．Blair opposes death penaltyfor Saddam 3．Chinese People See Their Second Manned Space Flight off 4．China Sends 2ndManned Spacecraft Into Orbit Appendix II：Sample texts of speech analysis（section 52） 1．Korea keeps on dreaming 2．Korean fans angry at European claims of referee bias Appendix III：Modality definition by SIL（Summer Institute of Linguistics） （section 5．3） Appendix IV：Sample texts of modality analysis（section 53） 1．China Undecided on Rate Increase in 3rd Quarter 2．China Raises Interest Rate by 027％ Appendix V：Comment and analysis from 16 newspapers（section 6-3） Appendix Vl：Predatory and dishonest war（section 7-3-3）
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