本書圍繞王建疆關于人文學科需要獨創(chuàng)的主義的觀點和他本人創(chuàng)立別現代主義理論的實踐,在國際哲學界和藝術理論界展開對話。對話內容包括:1. 人文學科是否需要建立主義?2. 主義是怎么建立的?3. 別現代主義為什么要別?4. 別現代與現代和后現代的區(qū)別在哪里?5. 中國的人文學科有無必要和可能領先世界?6. 別現代主義是否具有世界意義?7. 相似藝術的不同意義說明了什么? 在對話和討論中,不僅別現代主義的理論內涵得到進一步充實,而且還催生了阿列西·艾爾雅維茨的哲學四邊形論、羅可·本茨的新哲學時刻論等。本書記錄了別現代主義的國際背景和來龍去脈以及各種新理論的產生過程,展現了國際學術論辯所帶來的話語創(chuàng)新。 Based on Wang Jianjiang's view about the distinctive zhuyi needed by the humanities and his practice of establishing Bie-modernist theories, this book serves as a platform for dialogue in the international philosophical and artistic theoretical circles.The content of the dialogue includes: 1. Does the humanities need establishment of zhuyi/isms? 2. How is the establishment of the doctrine? 3. Why is the Bie-modernism different? 4. What is the difference between Bie-modern and modern and postmodern? 5. Is there a need and possibility for China's humanities to lead the world? 6. Does the Bie-modernism have world significance? 7. What do the different meanings of similar art illustrate? In the dialogue and debate, not only the theoretical connotation of Bie-modernism has been further enriched, but also generated the philosophical quadrilateral theory of Ale? Erjavec and the new philosophical moment theory of Rok Ben?in, etc. This book records the international background and the context of Bie-modernism and the emergence of various new theories, and demonstrates the innovation of discourse brought about by international academic arguments.